Exhibition 16 May - 20 June Reception 16 May 4 - 6 pm Tu, We, Fri, Sat 10-5:30, Th 11-7
In his first solo exhibition in the United States, German painter Bernard Lokai presents two bodies of work - multi-paneled grids he terms "Landscape Blocks" and singular bold abstractions. Lokai uses the historical vernacular of painting - including the gestural brushstrokes of Abstract Expressionism and the spray paint of graffiti - to simultaneously absorb and disrupt traditions of landscape and abstract painting and to explore the question of how to make a picture.
The landscape grids are composed of eighteen 12 by 16 inch panels, each an isolated 'moment' that individually appears entirely abstract. He thinks of each small painting as akin to a brushstroke, such that the overall final piece is thus 'painted' by paintings. Though each panel is strikingly distinct and sometimes wildly colorful, together they coalesce into an impression of landscape.
While the landscape grids explore a different idea on each panel, the larger individual abstract paintings combine multiple concepts on the same surface, wrestling with the meaning of painting today. Each painting evolves in a reactionary process, whereby the previous brushstroke and color influence the next. The works are pluralistically composed of elements and forms that reference the historical building blocks of a century of painting conventions. His purpose is neither to express emotion nor reference any particular subject. They are what they are - color, brushstroke, form, composition. Their mood may be discordant or harmonious or both. They are visceral, trans-lingual and endlessly probing.
Bernard Lokai was born in 1960 in Bohumin, Czechoslovakia. After his parents escaped from the former Czechoslovakia Lokai grew up in Du?ren, Germany. He studied at the Kunstakademie Du?sseldorf under Gerhard Richter and now resides in Du?sseldorf and Berlin. His work is included in Triennale di Venezia at the Palazzo Albrizzi in Venice concurrent with the 2015 Venice Biennale.
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