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Hugeaux is the Father of ARTE MECCO and member of the National Conference of Artists (NCA), Kuumba Artists Collective of South Florida, The Art Deco Society of Washington DC and The Black Artists of Washington DC (BADC).

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Hugeaux

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CLICK HERE

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Hgxjx@att.net

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Information management with its lifestyle shifts and social changes has become a instrument in technology by accessing instant application information, rapidly. I created my ONLY On-Line exhibitions in 2006. I have taken notice over pass ONLY on-Line art exhibits, that my visitors have reached an incredible all time high. With my latest and first SKETCHBOOK series: April 1 thru June 30, 2007, which includes artists: Dr. Margaret Burroughs (Chicago: co-Founder of The National Conference of Artists, The DuSable Museum etc) , Aaron Ibn Pori Pitts (Detroit: 2007 Detroit Artist of the Year), Dr. Mohamed Buwe Osman (Somalia: Physician / Artist), Vandorn Hinnant ( Durham, NC: Founder of Light Weaving) and Hugeaux ( Founder of ARTE MECCO). The record reached a total of 140 visitors in a 2 week period.

This kind of exposure is more than a second of third ranked museum. Managing creative commons for public information has disrupted and enhanced the e-Learning process with intelligent solutions to aged problems. The power of the Internet, have made it possible for my ONLY On-Line exhibits to re-create its originality. The Internet has taken the physical aspect of visiting a museum and gallery into a level of almost non-existence. Organized documentation can be harvested and presented to a multi-cultural audience without much commercial access. Information can be updated and retrieved on a personal basis, daily.

Information can be re-generated to tell the same story but to a larger range of aged listeners. Information can be retrieved through the assistance of other Internet surfers. Information can be place in a dual context dialogue that individual who would not normally associate themselves due to demographic can convey a opinionated dialogue with use of full assistance. Information relatively kept from the core can be logged into by adding assistance to the productivity of the On-Line exhibition.

Time management is placed at leisure. Advanced retrieving features via search engines or mobile can take what is considered old-fashioned and restructure the information to a more innovative community. This allows the viewer to re-acquaint, re-evaluate, re-visit, at will, the exhibition. Lost information usually a product of visiting a museum, is not a factor with the ONLY On-Line exhibition. In fact information which has been lost through memory relapse can be quickly re-introduced, at will.

Discovery is a renewing process. Information discovery can create social shifts in ones Internet community. Archiving my ONLY On-Line exhibition has placed it into many personal archives. This process makes the exhibition easily retrievable. Archives can be mandated through emails and distributed, at will, through open access. Dialogue is place into a more intimate context. Much of this process is stored through Search engines, making the archiving a solid method. Information can be re-introduced through changing of font and color, to refresh the appetite of re-introduction.

Imagery, is a process which can be re-introduced over and over again, through newer and fresher processes. This sparks a new interest of the viewer upon an old process. ONLY On-Line exhibits explores the international arena from any personal outlet. Maintaining a deep and numerous email base allows the many viewers to help in the distribution of the exhibit.

Having such a diversity of viewers makes the exhibit, thinking process a social distribution. Appearance doesn’t hinder the viewer, however influential dialogue propels the momentum of the exhibition. When observation is present, on a personal level, dialogue is stagnated and halted...i.e museum and gallery. However On-Line brings the exhibition to your own personal environment, instead of taking you to the exhibition.

The distribution of dialogue, from various genders and background, limits the process of first visual appearance. The caste sector, engages the viewers to engage in a visual dialogue, thus, taking the exhibition out of its social barriers. This ONLY On-Line process of taking art to the people, cultivates the entire creativity process.

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